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The Craft: Legacy Is Afraid to Be Wicked

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What would a teen witch do in 2020? In the 1990s, she’d dye her hair, make a boy fall in love with her, get aesthetic revenge on a nasty bully by making her hair fall out. But that stuff—from the cult favorite 1996 film The Craft—is decidedly old school. Mores and values have changed in the quarter-century (good lord) since, which is probably why the new followup film, The Craft: Legacy (October 28, on-demand), exists. It’s time to update the superpowers narrative to make it a better reflection of the here and now.

Of course, we’ve also been steeped in superpower stories for well over a decade at this point, in the form of clinging bodysuits and intergalactic fights to save the universe. So a new film about humble high school witches has to be cognizant of the scale looming over it, while also making local magic—the adolescent allegory about sudden new awarenesses—still seem big in its own right. Writer-director Zoe Lister-Jones has chosen an interesting path toward realizing that goal, of taking the gunky-cool vibe of the original Craft and translating it to a time when we have seen and heard so many more things. It is a noble effort, if an ultimately doomed one. 

On some fronts, Legacy is an over-correction. Lister-Jones, an Old Millennial like myself, has perhaps gotten too hung up on the seeming demand that media aimed at Gen Z (and younger) be assiduously diplomatic in its politics. Which isn’t to say that she’s made a mistake in talking about certain social issues. There is plenty of welcome discourse in the film, adding a richness to the world of its characters that a simple redo of the original Craft wouldn’t accomplish. But in that careful inclusivity, Lister-Jones has forgotten to let her kids have any fun, to take true risk, to transgress. Which is what The Craft is, well, supposed to be about. 

Legacy is an awfully earnest film, in which the quartet at the center of the story practice magic to better the world around them rather than taking the selfish indulgence that most teenagers probably would. From the first scene, it is established that these girls are aware of the social injustices ever surrounding people in America today, both the strangling claw of history and the present-tense clench of Trumpism. That mindfulness is no doubt shared by many real-world kids. But I’d have to also imagine that those young folks are living more complex and sometimes contradictory emotional and intellectual lives than Lister-Jones allows the teenagers here. In Legacy, they are mostly only agents of righteous change—always recognizing their failures of praxis, editing and apologizing as they go. It’s a pretty big burden to put on the shoulders of people not even old enough to vote.

That may be Lister-Jones’s sorrowful point: that a younger generation with no tangible political power must still be the ones to wrestle the world into something more equitable, because all the adults are either clueless or evil. But in a thriller film about teenage witches, it feels kind of unfair. 

For all its teen-girls-written-by-men faults, the original Craft actually got to know its main foursome on an individual level; each had a mission of revenge or repair that gave specific shape to their magical urges. In Legacy, we really only know Lily (Cailee Spaeny), the new girl in town who is this film’s version of the Robin Tunney character. The other three are simply slotted into briefly described boxes of identity. One, Tabby (Lovie Simone), is Black. Lourdes (Zoey Luna) is trans. And Frankie (Gideon Adlon) is insecure about her looks and has a hopeless crush on a popular boy at school. That’s pretty much all we learn about them, as they’re mostly relegated to the sidelines while Lily deals with a pair of intense situations involving men.

The first male entanglement is that Lily and her mother, Helen (Michelle Monaghan, appealing but underused), have relocated many miles to move in with Helen’s new beau, a forceful but ostensibly friendly guy played by David Duchovny. Intriguingly, he’s set up as a Jordan Peterson type, a haughty lecturer of men who seems ominously unconcerned with the needs of women. What a fascinating inclusion of a real-world phenomenon! And yet Lister-Jones doesn’t engage with it thoroughly enough. It’s yet another detail that signifies relevance but never evolves past mere gesture. 

The other male in Lily’s life is Timmy (Nicholas Galitzine), a chauvinist pig at school whom the girls make their main project. This plotline is Legacy at its most probing and witty: the newly formed coven does not, like in the original, do a spell to make Timmy lovesick. Instead, they turn him—for lack of a less appropriated and abused term—woke. They have, in essence, made him into a model of a new kind of cis straight white man, one who is abashed of his privilege, stands up for the right causes, and actually fucking listens. This is a really clever tweak of the old love hex trope, and leads Legacy to its most salient observations about the frustrations shared by so many girls and women like Lily, Tabby, Lourdes, and Frankie. It’s poignant, really, this wish for a better man, realized only through dangerous magic. 



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Lindsay Lohan and Bader Shammas have announced their engagement

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Lindsay Lohan Badar Shammas

Lindsay Lohan and Bader Shammas have announced their engagement

The 35-year-old actress announced her engagement to her fiancé, Bader Shammas, on Instagram on November 28. Lohan released four candid images of the couple posing, each of which included her stunning ring.

“My love. My life. My family. My future,” she wrote, adding, “@bader.shammas #love 💍.”

Despite the fact that Lohan disabled comments on her Instagram post, fans reacted positively to her news on Twitter, where she re-shared her statement.

“i’m so happy for lindsay lohan,” one fan tweeted.

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A post shared by Lindsay Lohan (@lindsaylohan)

Another fan wrote the newly engaged pair a beautiful email on what they might expect in the future.

“I can’t wait for the incredible amount of love that’s about to flood over you,” they wrote. “Being engaged is like something I’ve never experienced before in life. The amount of love that comes from this moment is indescribable. Congratulations you two!”

“This made me tear up this is what life is about I am so happy for you life is about the adventure It’s about the connections we create sending all of the love and light to you both,” a third person commented.

“I wish you the best of luck, and a love like my husband and I have, Lindsay!” wrote another person.

According to The Independent, the “Mean Girls” star and Shammas have been dating for two years but have kept their romance covert. Shammas is said to be a resident of Dubai, where Lohan has lived for the past seven years. Shammas is an assistant vice president of Credit Suisse, a multinational investment bank.

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In a touching final concert with Lady Gaga, Tony Bennett, 95, Performs ‘One Last Time’

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In a touching final concert with Lady Gaga, Tony Bennett, 95, Performs ‘One Last Time’

On Sunday, Nov. 28 at 8 p.m., CBS will broadcast “One Last Time: An Evening with Tony Bennett and Lady Gaga.” Tony Bennett and Lady Gaga will perform together at the event to commemorate Bennett’s 95th birthday.

Here’s how to watch “One Last Time: An Evening with Tony Bennett and Lady Gaga” online for free without cable using the information below.

When is ‘One Last Time: An Evening with Tony Bennett and Lady Gaga’ going to be broadcast?

On Sunday, Nov. 28 at 8 p.m., CBS will broadcast “One Last Time: An Evening with Tony Bennett and Lady Gaga.” At 9 p.m., it will broadcast before a new episode of “The Equalizer.”

Without cable, you can watch ‘One Last Time: An Evening with Tony Bennett and Lady Gaga’.

If you don’t have cable or don’t want to pay for it, you may watch “One Last Time: An Evening with Tony Bennett and Lady Gaga” live on any of the following streaming services:

Fubo TV (free trial)

Paramount Plus (free trial)

What is the CBS channel?

You can discover it using the channel finder on your provider’s website: Verizon Fios, AT&T U-verse, Comcast Xfinity, Spectrum/Charter, Optimum/Altice, DIRECTV, Dish Network, Verizon Fios, AT&T U-verse, Comcast Xfinity, Spectrum/Charter, Optimum/Altice, DIRECTV, Dish Network

On-demand viewing of ‘One Last Time: An Evening with Tony Bennett and Lady Gaga’

Look for “One Last Time: An Evening with Tony Bennett and Lady Gaga” on Paramount Plus if you missed it or want to watch other CBS events online when they become available (free trial).

What is the story behind ‘One Last Time: An Evening with Tony Bennett and Lady Gaga’?

The two singers perform duets and solo songs commemorating their common love of the Great American Songbook at Radio City Music Hall to mark Bennett’s 95th birthday, according to the official CBS event description.

From Lady Gaga’s official YouTube page, here’s a glance at “One Last Time: An Evening with Tony Bennett and Lady Gaga”:

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Popular and visionary fashion designer Virgil Abloh died at the age of 41

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Virgil Abloh

Popular and visionary fashion designer Virgil Abloh died at the age of 41

After a quiet battle with cancer, Virgil Abloh, the prolific fashion designer known for dressing artists like Kanye West and Kid Cudi, died on Sunday. He was 41 years old at the time.

Abloh’s death was revealed via Instagram and a tweet from LVMH, the parent company of Louis Vuitton, where Abloh had been the men’s artistic director since 2018.

“We are shocked after this terrible news. Virgil was not only a genius designer, a visionary, he was also a man with a beautiful soul and a great wisdom,” In a statement sent out via Twitter, LVMH CEO Bernard Arnault remarked.

According to a statement on Abloh’s Instagram account, he has been discreetly battling cardiac angiosarcoma, a rare and aggressive kind of cancer that affects the heart.

“He chose to endure his battle privately since his diagnosis in 2019, undergoing numerous challenging treatments, all while helming several significant institutions that span fashion, art, and culture. Through it all, his work ethic, infinite curiosity, and optimism never wavered “According to the statement.

According to The Hollywood Reporter, Abloh’s career made history in the fashion business when he became the first Black artistic director to manage a division of a prominent French design firm.

He later went on to launch the Milan-based streetwear label Off-White. Abloh was also Kanye West’s creative director for a long time.

Abloh’s dresses became viral this year after Kid Cudi, the singer and rapper, wore them on “Saturday Night Live.” The outfits were created as a memorial to Kurt Cobain, the late singer.

“Virgil designed the dress for me. I told him I wanted to show love to Kurt [with] a floral print sundress and this man made a masterpiece. Thank You @virgilabloh ur a f—– genius!! Love you man we did it!!!” Kid Cudi wrote at the time.

Abloh was motivated to create routes for more equality in art and design, according to an Instagram message.

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